When does creativity happen? It seems that the more we try to make something happen, the more interference we introduce to the creative process. So how do we achieve a breakthrough?
Sunday Letters has been on the go about 18 months or so and over the 77 odd issues, the format has been pretty much one dimensional and simple: an article. But now it’s time for change. When I started writing again I decided to forget about monetising and just write about things that interested me. […]
Today’s Sunday Letters article is an extract from The Artist’s Manifesto chapter three and looks at the contrast in letting it happen versus making it happen. The popular advice and resultant often unchallenged perceptions are that if something is to materialise in our experience then we’ve got to make it happen. It’s as if our precise detailing and planning are paramount and without them, we fail. But this is a false idea.
Is it that there is too much data vying for our attention or is it perhaps that there’s too much of our attention competing for all that data? It’s an interesting consideration because you see, popular commentary will lead us to believe that everything out there is the problem.
Finding a quiet space in which to create is perhaps one of the single most important prerequisites for creative work. This is true now as it has always been, despite the popular modern convention towards collaborative workspaces. Spaces where we allow ourselves to be herded like cattle into boxes by corporate entities who pretend through their willful managers, to care for our wellbeing. They don’t.
What is an artist? What is art? How is an artist defined and who exactly gets to set the definition? Is everyone an artist like Picasso said or is it that creative genius is reserved for those fortunate enough to be blessed with talent at birth as the ancient Greeks and Romans believed?
How To Create Order From Chaos In today’s Sunday Letters, I’m taking a look at how we can create order from chaos. I’m staying with The Artist’s Manifesto until publication on October 15th, and This article is part two of chapter eight, titled; The Creative Self. Many of us in western industrialised society do not […]
Do know who you are? Are you consistent and steady in your daily creative endeavours, confident in the face of the sometimes harsh responses to your work? Or maybe there is silence, nobody pays attention. How does that affect you? Your driver’s licence has a name and a photograph. Your online social profiles, your employee records, your tax accounts, birth certificate and other records all represent a fixed and unchanging you. But are you fixed and unchanging?
In today’s Sunday Letters article, I’m taking a look at the paradox of work. We need it but we resent it. Given the choice, if the need for money was not the prime mover, we might not even do what we do. We can’t wait to get away from it. We look forward to Fridays and dread Monday mornings. There is the belief in us that somewhere in the future it will get better, we’ll have more money, life will be easier.
After a considerable amount of time chin scratching, I have finally set a date for The Artist’s Manifesto Launch. My previous date for publication came and went due to other commitments. The completion of the new studio/office took precedence, and oh I must not forget that little detail of needing to fund that project. Other commitments came into play there too.